Coupling
To have his lower lip
between her teeth
was sometimes enough
her cupped tongue
to birth turtle eggs
nesting themselves
in his throat.
Nothing is
as ugly as hatchlings—
as raw, as needing.
A press of bones,
the intimacy of knuckles in the
caesura of vertebrae. The bird’s eye
of the moment of obscurity:
the hurt before pain
hold, hold, hold
before the pecking,
membrane and shell.
The long fingers
of the rainmaker
fisherman in the desert
pause
left ventricle squeezing
the valve slaps.
Legs, arms, teeth—
everything: mouths
of lungfish
gasping
in the wet.
It’s not pretty, not pretty.
(Mercy Island. Phoenicia Publishing, 2011)
Thank you for taking the time to read/listen.
I hope you have a great week!
Warmly,
Ren Powell’s Acts of a Recovering Drama Queen
Writing against Melodrama by Engaging with the Natural World
Give some love. It only takes a little ❤️.
I used to prefer reading, because I was shy. Now, I'm not only more informed but pleased by the quality of voice, the rhythm, and especially the rich pauses in-between words, illustrating that spaces count as much (maybe more) as do the words moving hand in hand. Beautiful listening. Thank you Ren.